alex_beecroft: A blue octopus in an armchair, reading a book (Default)

Did I say I’m sprucing up my backlist? I feel sure you must have noticed that by now đŸ™‚

This week I’ve been improving the books’ description pages on Amazon and flexing what I’ve learned about writing better blurbs.

But one of the other things I’ve learned since really getting into the self-publishing mindset is that when people want a book of one genre and they see a book with a cover that looks like it belongs to a different genre, they don’t go “oh, how unique and interesting!” They go, “That doesn’t look like the type of book I want. I’ll give it a pass.”

Which means that if your cover is too ‘unique and interesting’ you’re actually putting readers off. What you need is cover art that looks similar to all the other covers in your genre, so that readers are reassured that they are indeed buying something that they want.

It really grieved me to have to replace these two covers, because I was so pleased with them both when I first made them. And I still look at them with pleasure. They are nice book covers – for a Fantasy and for some kind of literary fiction about the surfer lifestyle.

 

But goddammit, I am trying to make a living here, so I’m going to take the hit and hammer that genre button for all I’m worth. Which means that these books now look like this:

 

On the plus side, sometimes you can spend days trawling through stock-photo sites looking for the perfect picture, but that picture of Kjartan, which genuinely looks like him fell into my hands in less than an hour. How often is it that you can go looking for a white-haired elf prince and actually find a good photo? Vanishingly rare. It must be an omen.

I think I’m going to keep a cover-art graveyard on this site. I surely can’t be the only one who finds the constant evolution of images interesting.

Also I think some of them might make good posters.

Mirrored from Alex Beecroft - Author of Gay Romance.

alex_beecroft: A blue octopus in an armchair, reading a book (Default)

I’m wondering when I can replace the place-holder covers on my website, but thinking ‘not yet’. This is an exclusive for Love Bytes Book Reviews after all, and I don’t want to steal their thunder. All I can say is, if you would like to be among the first to see the new cover, nip over there to see it. They are having a giveaway of a $10 Riptide voucher to one of the commenters, so that’s cool too đŸ™‚ I almost commented myself and then I thought “No, that would probably be weird.”

Knossos_fresco_women By cavorite - http://www.flickr.com/photos/cavorite/98591365/in/set-1011009/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=1350752

(All the ladies in Knossos are talking about it.)

Isn’t it gorgeous though? I’m so pleased! I sent Riptide’s art department a link to my Labyrinth Pinterest board for reference, and they sensibly decided that they probably weren’t going to find stock photos that were anywhere near right. So they handed me over to SimonĂ©, who had previously done the gorgeous cover for The Crimson Outlaw

18th Century Romania
when finding pictures suitable for 18th Century Romania also proved impossible. I’m so glad they did, because there’s something especially wonderful about illustrated covers, and it does mean you can have exactly what you want on them.

It might not be instantly obvious, if you’re not a Minoan expert already, but one of the great things about the cover for Labyrinth is that this is a picture of Kikeru on a female day, wearing the Minoan equivalent of a nice dress. Kikeru spends a lot of the book being visibly queer by the standards of their own society, and in my opinion also visibly awesome, so it’s good to have both of those things on the cover.

The existence of Minoan genderqueerness is more or less historical, in the sense that a number of their artifacts show people who seem to have mixed gender characteristics. These artifacts have puzzled historians and archaeologists for some time, in the same way that graves containing female bones and swords have puzzled them – more because the historians were boggled by the unconscious limits to their own world view than because the artifacts themselves are particularly mysterious. But that’s another blog post for another time.

In the mean time, look at my lovely covers! I’ve got to write a third really obscure setting now, just in a quest to get a trilogy of weird historicals with gorgeous covers by SimonĂ©.


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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March 2020

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